New York · Jun 19 – Jul 14, 2026
We do not simply look at surfaces. We respond to them. Some surfaces slow the breath, drawing the body into a state of quiet attention. Others sharpen perception, producing a subtle tension that resists stillness. These differences do not arise from material alone, but from the density and interval shaped by structure and texture.
This exhibition traces those shifts—how works regulate the viewer’s movement, duration, and sensory awareness. Between holding and release, between calm and unease, each work proposes a distinct mode of encounter.
Bret Price bends steel into suspended moments of force. His structures hold tension in their very form, where gravity is not resolved but continuously negotiated. The space around them tightens; the body registers their weight before the eye fully understands.
Moon Insoo constructs surfaces through repetition and accumulation. Working with industrial materials such as steel and cement, he allows time, pressure, and process to settle into the work. Structure becomes surface; surface becomes the record of force.
Steven Seinberg develops luminous fields where color and light unfold gradually. His paintings do not assert themselves; they invite prolonged looking. Tension here is diffused, suspended within the atmosphere, felt over time rather than at once.
Mark Acetelli works through layering and erasure, reducing the image to a state of quiet intensity. His surfaces hover between presence and absence, where what is withheld becomes as active as what remains.
ANON builds images from dyed and layered fabric. Cut, joined, and reassembled, the material resists illusion. Color is absorbed rather than applied, and the surface emerges as a constructed skin—at once image and object, soft yet insistent in its presence.
Across these practices, structure and texture are not fixed categories but shifting conditions. Structure stabilizes, yet it also compresses. Texture activates, yet it can also dissolve. What emerges is a spectrum of tension—subtle, physical, perceptual—that alters how we stand, how we look, and how long we remain.
Installation Views
[설치 사진 — 이 줄을 지우고 설치 사진을 넣으세요. 여러 장 넣으면 3열로 보입니다]
Works
[작품 사진 — 사진 한 장마다 아래 4줄: 작가명 / 작품명, 연도 / 재료 / 크기]
Artist
[작가 소개 — 작가 사진과 약력으로 교체]
New York · Jun 19 – Jul 14, 2026
We do not simply look at surfaces. We respond to them. Some surfaces slow the breath, drawing the body into a state of quiet attention. Others sharpen perception, producing a subtle tension that resists stillness. These differences do not arise from material alone, but from the density and interval shaped by structure and texture.
This exhibition traces those shifts—how works regulate the viewer’s movement, duration, and sensory awareness. Between holding and release, between calm and unease, each work proposes a distinct mode of encounter.
Bret Price bends steel into suspended moments of force. His structures hold tension in their very form, where gravity is not resolved but continuously negotiated. The space around them tightens; the body registers their weight before the eye fully understands.
Moon Insoo constructs surfaces through repetition and accumulation. Working with industrial materials such as steel and cement, he allows time, pressure, and process to settle into the work. Structure becomes surface; surface becomes the record of force.
Steven Seinberg develops luminous fields where color and light unfold gradually. His paintings do not assert themselves; they invite prolonged looking. Tension here is diffused, suspended within the atmosphere, felt over time rather than at once.
Mark Acetelli works through layering and erasure, reducing the image to a state of quiet intensity. His surfaces hover between presence and absence, where what is withheld becomes as active as what remains.
ANON builds images from dyed and layered fabric. Cut, joined, and reassembled, the material resists illusion. Color is absorbed rather than applied, and the surface emerges as a constructed skin—at once image and object, soft yet insistent in its presence.
Across these practices, structure and texture are not fixed categories but shifting conditions. Structure stabilizes, yet it also compresses. Texture activates, yet it can also dissolve. What emerges is a spectrum of tension—subtle, physical, perceptual—that alters how we stand, how we look, and how long we remain.
Installation Views
[설치 사진 — 이 줄을 지우고 설치 사진을 넣으세요. 여러 장 넣으면 3열로 보입니다]
Works
[작품 사진 — 사진 한 장마다 아래 4줄: 작가명 / 작품명, 연도 / 재료 / 크기]
Artist
[작가 소개 — 작가 사진과 약력으로 교체]